Analyse intratextuelle de Simorgh et Laëzza de Mohammed Dib

Abstract

Intratextuality is one of the explicit forms of intertextuality and it refers to auto-reference or auto-influence and tries to highlight the similarities, the

repetitive and the distinctive traits appearing in different works of the same writer. The phenomenon of interatextuality characterizes the works of Mohammed Dib, notably Simorgh (2003) and the posthumous Laëzza (2006). In these works intratextuality exists on all the levels of writing. In deed, there are common aspects which may be marked even on the level of the paratext, thus, inviting interpretations of the existing similarities. Moreover, such literary phenomenon blears the frontiers between the different genres, the continuity and order by directing all the mechanisms of writing to realize one form: fragmentation, intrgenerisity and deconstruction. In fact, this complex structure of Simorgh and Laëzza enriches the two works with a diversity of themes including those of mythology and actuality. Finally, interatextuality appears in the repetition of some specific characterization which signify the originality of the two works of Dib and give birth to a new genre in question