الكتابة الإبداعية النسوية في الخطاب النقدي العربي المعاصر

Abstract

The romantic feminine writings are considered as a rich domain of critics at critics and searchers who having interst to the existence of the woman writer romancer cultured and conscious about subjects of her being, her country, her nationalism and her humanty. Knowing thet the word of narration is the nearest is to the specificity of the femining recount and the interest thet she gives to details characterizing woman from man, hence its is normal that the woman is good in the roman writng considering thet she is the literary from thet corresponds to her feminine character. The choice of the study was fixed on the works of « Ahlem MOSTHAGHANMI » on the plan of ‘criticizing the critc ‘ because the writer has constituted a critical phenomenon at critics. The number of studies that have interest to her works are uncountable comparing with other writers ; women or men. Taking the method of criticizing the critic as reference, it is preferable to stop at the most important critical subjects forming the debate between searchers for who tendencies and theories diverse.