Résumé:
In the third quarter they were transferred to talk about artistic space in two parts: temporal and spatial, we attempted first to show how the functioning of historical time element in the two versions address, on the grounds that the title carried between the flanks of this element, and expressed particular historical era, then we moved to the board of novel in
the way we tried to detect the build novelists of the time and historic event in their texts, and we found that they use several narrative techniques in it, such as retrieval technology and proactive and jumping chronological narrative stand, ... And other techniques, and we have not only to stand when the time element, but we moved to a place so we study it in the title of the two versions, because they are available and to inform him attention
from the beginning, he pointed to the history and the past, then we examined the place on the level of narrative board both the two versions, and we have found expressing history (in the colonial and post-colonial), but history stretching roots in the past, referring to history the ottoman empire, and the fatimid ....
In the fourth quarter, and the latter we concerned with the element of narrative vision, we tried to study and how to build it in two texts novelists, we started studying the narrator,we started first studying the narrator because he is who often appears this vision where on the tongue or on the tongue of some imaginary personalities (which represents the second face of the narrator and writer together), in the second step of the research was
focused our attention on a partial vision of the writers, the research was finished trying to show the overall vision of the authors of the world, life, and politics, and the rights, history and religion ...,and may we determined that the authors agree in many of the visions contained texts novelists, example humanitarian vision, political, and religious, and social ...
