تلقي النص الشعري في النقد المغربي القديم في القرن الهجري الخامس

Abstract

This search included the reception of the poetic text by samples in Elmaghreb in the old geographical sense. The study showed that the interpretative collection is produced on a unified scale, yet many differences can be spotted among the elements of this collection. These differences are of a great importance especially when considering the texts which deviate from the general reception pattern which is directed by politics and the outer existing general circumstances, for instance the texts that represent imaginative entities which call for involving the reader in discovering the indication and which do not supply a ready meaning, yet reading is similarly considered to be as an imaginative task as the poetic text. However, we observed that aesthetic notion which is closer to subjectivity that defines a set of conditions to complete the quality of the poetic text and achieve its beauty on the reading level, these conditions are summed in moderation, and we can see that such a condition would bring us to note a set of similar classifiable texts. The analysis of many texts which documented the reception process shed the light on the bias of the expert receiver to his own subjectivity sometimes and to the social and historical pressures sometimes another, on the basis that the creative text remains as a historical power which imposes itself on the successively upcoming receptions. The receivers from Elmaghrib believed that the most important characteristic of the poetic text is its ability to break the audience expectations, when the texts achieves this purpose it is then worthy to be reproduced through time as a continuous celebration of creativity and the marvelous poetic image for which the terms and the plagiarism researches, and the opposition were an embodiment and an organization for this historical celebration in an innovating sense. The reception of the literary texts cannot find a far escape away from its circumstances, for the political conflicts and the social conditions played a significant role in directing the reception, and in defining its basis, because of which we considered that historical significant at the end of the fifth Hijri century in the book of Elbadi Ibn Elmotaz which has been categorized in similar circumstances and also on the basis that no pleading is built on arevolutionary ideology only if had an old rooted attitude towards the innovated poetry which Elbadi represented a foundation of attracting and turning it back to the center even if the text in question represents an example of penetrating and bypassing the center such as texts of Abu Tammam. The readers insist on the presence of the cultural factor in the poetic work for the reason that every text is related to its society, environment and its era. Therefore, the cultural factor played a significant role in framing the act of reading and reception such as for instance the reception in Elmaghrib of the poetic text at the fifth Hijri century as a part of a whole considered with the culture and the civilization and the old criticism of the Arabs. Morover, if each era and each country has its own readers who have different psychological beliefs, yet the solely belief can juxtapose these receptions under major features. This research purpose is to highlight and spot these latter.