النقد المغربي القديم في ضوء نظرية النص من خلال كتابي العمدة ومنهاج البلغاء

Abstract

"This research studies the critical theory of (IBN RACHIK KAIRAOUNI) and (HAZEM of CARTAGENA) through their two books (EL OMDA) and (MEKHADJ EL BOLAGHAE), they study the structure of the text, the position of these opinions about the modern theory of the text in order to know at which point the concept of the ancient text is conform to the modern concept, the methods of coherence for the two critics and the modern textuality in the critical theory for IBN RACHIK and HAZEM of CARTAGENA. In the light of the text’s theory, the reading of the two books ""EL OMDA"" and ""Minhaj AL BOLAGHA"" has imposed the division of the research into an introduction, five chapters and a conclusion. The introduction deals with the nature of the literary life in the Old Maghreb until the 7th century of Hijra. The first chapter is devoted to talk about the text and its problems, while the second chapter discusses the textology and its fields. Whereas, the three applied chapters study respectively the critical theory of the authors of the two books « EL OMDA » and « EL MENHADJ » by treating: the text’s nature and its function in the third chapter, while the forth chapter discusses the exterior structure of the text, the fifth chapter is devoted to talk about the textual coherence. This study has led to know the predominance of partial theory on the ancient Maghreb critical vision when it has considered the verse as an essential unit on which the poetic text is based, while the modern criticism appreciated the text as a unit of words with a limited length. Both of « IBN RACHIK » and « HAZEM » have linked poetry with its function, they requested from the poet the diversification between aims of the text, using them to serve the contest, and support for the poetic purpose of the author. As well as, HAZEM of CARTAGENA proceeded to explain the structural levels of the poetic text contrary to its position, while IBN RACHIK has only studied the structure of rhyme, they do not forget to take into account the methods of coherence text. If the essential element of the text for IBN RACHIK is the verse, it is based on a series of chapters for Hazem of Cartagena, each chapter includes the features of the modern text, and he focused on systemic and organizational methods, the linking methods between chapters."