Abstract:
"In the critical heritage and Arab rhetoric, poetics was used in the sense
of the science of poetry and this is probably the reason that has prevented so
far the acceptance of its terminological meaning in the Arab culture. While in
the western criticism, poetics was used to describe the composition laws of
speech from Aristotle through the Russian formalism, to the circle of Prague,
then the structural poetics and at last the new poetics and the poetry of
interpretation and pragmatism. Thus, poetics exceeds poetry to indicate
literary and non-literary poetics. It is then poetics in a whole and narratology
is one of its main branches.
Divergent trends emerged from poetic speeches. However, we stopped
this study on the new poetics founded in France by Roland Barthes and
Tzvetan Todorov who allied the issues of structural recitations and narrative
semiotics. However, the most important evolution that the poetic speech had
known was that of Gérard Genette who realized a speech theory from a purely
structural point of view. The efforts of this French trinity led to establish the
most important laws of the narrative recitation as time, narrative visions,
speech modes and focalization.
Based on the speech laws that poetics has provided; we have proposed a
recitation analysis of three Algerian novel texts that belongs each to a specific
time. In the eighties, we chose the novel "" Khat al istiwa "" of Azhar Atia . In
the nineties, the novel "" Makama laylia - Makamat al moubtada ""of Abdul
Aziz Garmoul . Then, at the beginning of the first millennium, the novel
""souradik al houlm wal fajia "" of Azzedine jalaoudji . This analysis led to
the confirmation of the philosophy of poetics, which has always been an
intermediary between making mandatory or not the law of recitation. This
means that these novels were not a simple pale representation of the morals of
narrative writing, but texts that produce their own poetics, exceeding thus the
horizon of writing and receiving all applicable texts"
