dc.contributor.author |
Lalaoui, Adel |
|
dc.contributor.author |
Castellani, Jean Pierre |
|
dc.contributor.author |
Saïd, Saïdi |
|
dc.date.accessioned |
2022-05-24T08:02:28Z |
|
dc.date.available |
2022-05-24T08:02:28Z |
|
dc.date.issued |
2016-01-01 |
|
dc.identifier.uri |
http://depot.umc.edu.dz/handle/123456789/3526 |
|
dc.description.abstract |
In contemporary stories or autobiographies "romanticized" often that belong to the
literature of the twenty-first century, there is a kind of movement that leads the subject to
« s’extimer », to veer to the outer limits and boundaries for itself to the intimate contact or
the me with the world, with the other, with the persons of cities. A form of wandering in a
space which is more inside than the same inside. The today author speaks of his ego
without delivering a true autobiography; it does not prove entirely in its intimacy and its
secrets. To understand these writings of me, a novel and a writer: the problematic
expressions at me Yasmina Khadra. |
|
dc.language.iso |
fr |
|
dc.publisher |
Université Frères Mentouri - Constantine 1 |
|
dc.subject |
écriture du moi |
|
dc.subject |
double |
|
dc.subject |
identité |
|
dc.subject |
autobiographie |
|
dc.subject |
autofiction |
|
dc.subject |
vérité |
|
dc.subject |
fiction |
|
dc.title |
La problématique des expressions du moi chez Yasmina Khadra dans À quoi rêvent les loups, L’écrivain, Cousine K, L’attentatet Ce que le jour doit à la nuit |
|
dc.type |
Thesis |
|